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SKOWMON HASTANAN |
| Violence Self Internet Fire Wheel, 2010-2011 Graphite, acrylic on Saint Armand Innes paper, 18” x 24" |
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| Cattleya Cat. Alba, 2011 Iron-on print transfer of digital collage, acrylic on Mulberry paper, 22” x 19” |
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The Words |
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| Migration Les femmes en route Les femmes en route Encyclopedia Britannica World Atlas Series, 2001 Ink jet prints, graphite, acrylic and metallic medium on paper Dimensions: One-page: 15” x 11 3/8”, Two-page: 14 ¾” x 21 5/8” Les femmes en route: Magnificent Journey, 2003 Light box, Inkjet, Plexiglas, fluorescent light, 11 ½” x 55” x 4 ½” Rubyscape, 2000 Digital collage, Various dimensions |
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| Migration Fever Les femmes en route: Pageant Fever, 2000 Inkjet, enamel nail polish paint, 4” x4” Economy Class Beauties: Thai Borompimarn on Frosted Wild Orchid #622 II (gold/purple) Economy Class Beauties: Thai Chakri on Lustre A Ongles #482B (pink/pale yellow) Business Class Beauties: Thai Chitrlada on Lustre A Ongles #482B (red/pale yellow) First Class Beauties: Thai Chitrlada on Frosted Ice Starry Nites #633 (red/navy blue) Ship Fever, 1999 Inkjet, various dimensions |
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| Skulls and Bones, 2010 Graphite pencils on Saint Armand Innes paper, 24” x 18” |
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| Media and Religion The Erotic Body, 2006-2007 Graphite, newspaper cut out, and acrylic on Kraft paper, 9” x 12” |
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| Migration The Lightboxes Ruby, The Homebody: An Island Story I, Ruby, The Homebody: An Island Story II, The Arrival, Purple Glory, Golden Descent, Magnificent Travellers, 1998 Light boxes, print, enamel and acrylic paint, Rhoplex, glass sheets, fluorescent light, 10 ½” x 12 ½” x 4 ¼” Nari Pala, Women Mango Fruit Tree, 2006 Prints from watercolor pencil drawings transferred on Plexiglas sheets, fluorescent light, 18” x 15” x 4 ½” |
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| The Property of A Lady An Impressive Emerald and Diamond Lavaliere, 2007. Shaved graphite and metallic powder, acrylic medium, and graphite wash on vellum, 36” x 23 3/4” The Property of A LADY: An Attractive Antique Emerald Diamond and Pearl Necklace circa 1880, 2007. Graphite, aquarelle pencils, and acrylic on vellum, 36” x 24” Festoon Tiara C. 1830 German Gold, silver, button and pear pearls, diamonds, 2007. Shaved graphite and metallic powder, acrylic medium, and graphite wash on vellum, 29” x 18” Londonderry Tiara 1854 R.S. Garrard & Co., English, Gold, Silver and Diamonds, 2007. Shaved graphite and metallic powder, acrylic medium, and graphite wash on vellum, 23” x 29” |
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Magnificent Inheritance and Autoimmune Diseases, 1995-1996 |
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| Sex and War, 2001 Digital photo-collage, various dimensions A Prince’s Palace Roar!!! Miss Universe Victory of the Goddess Friendly Pornography Magazine and photo cut outs |
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| Homesick, 1985-1992 Don’t Forget to Remember Rattan chair, print, clay, 19” x 14” 15” Scented Rice II Jasmine rice, rhinestone, canvas, 15” x 15” x 5” Mosquito Net Cheese cloth, 84” x 72” x 48” Ban Cardboard, plastic, wood, plaster, X ray, foamcore, artificial turf, 66 ½” x 32 ½” Waterfall May 1, 1991 Color photograph, candles, wax, wood, 12” x 10” x 3” A sickness of the heart that can only be cured by gold Fly traps, gold leafs, electrical fans and light bulbs, linoleum tile, 4” diameter |
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| Butterfly Migration, 2007. Print on Swarovski crystals, wood, metal pins, chains, and clips. 12” x 58” x 40” overall, installation and detail view at Wave Hill House, NY |
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| Tell Me A Story / Chinatown IN/FLUX, PA, 2005 Text & image on Strass & Swarovski crystals, metal findings, 86” x 3” each |
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| Grand Concourse Time line, 2009 112 3-M vinyl panels, 9” x 9” each, installation, Intersections The Grand Concourse at 100, The Bronx Museum of the Arts |
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| Orbis Venustas, 2001 TOP: Design proposal, BELOW: Float glass painting 9 glass panels, overall dimensions 116” x 145” NYC Board of Education, NYC School Construction Authority, and NYC Department of Cultural Affairs Percent for Art Program |
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| A Secret Garden: There’s No Place Like Home, 2006 Faceted glass. NYC MTA Arts For Transit, 233rd St. Subway Station, White Plains Rd. Lines, #2 & #5, Bronx |
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Transplant/transculture, Wave Hill, NY 2006
Intersections: The Grand Concourse at 100, Edited by Antonio Sergio Bessa, The Bronx Museum of the Arts and Fordham University Press, NY. 2009
Francis, Jacqueline, Slavery and Abolition Vol. 30, No. 2, The Brooks Slave Ship Icon: A “Universal Symbol”? San Francisco State University (California State University), CA, June 1, 2009, Pages 327-338
Chang, Alexandra, Envisioning Diaspora Asian American Visual Arts Collectives from Godzilla, Godzookie to The Barnstormers, Timezone 8 Editions and Asian/Pacific/American Institute at New York University, Pages 96, 97, 186-189, 2008
Kee, Joan, Global Feminisms New Directions in Contemporary Art, Edited by Maura Reilly and Linda Nochlin, Brooklyn Museum, Pages 110-12, 205, 274, 2007
Ramoran, Edward, Chinatown In/Flux, Asian Arts Initiative’s Philadelphia, PA, 2006
Morgan, Susan, Skydancers & Other Mystique, Works by Skowmon Hastanan, Fem Spec.org, Femspec 11.1–Vol. 11, Issue 1, 2011
Bryan-Wilson, Julia & Hunt, Barbara, Beyond Prescription: Art/Bodies/AIDS, Bodies of Resistance, Visual AIDS, NYC, 2000
Kwon, Sowon, Here and Now, Now and Then, Longwood Arts Journal 1992-1993, Bronx Council on the Arts, NYC, 1993
Kee, Joan, Trade Show, The Pottery Workshop Shanghai, China, 2003
Chan, Sewell, Looking Back at the Grand Concourse’s First Century, The New York Times, March 18, 2009
Genocchio, Benjamin, Attractive and Accessible, But Is That All There Is? The New York Times, December 23, 2007
Heartney, Eleanor, Worldwide Women, Art in America, June/July 2007, Pages 161, 162
Danuta, Pattara, Feminist Issues Cross Culture Through Art, Exhibition of Thai-American artist in New York Explores Trafficking of Thai Women, Bangkok Post, Thailand, May 1, 2003
Demavivas, Karen, En route from Brooklyn, The Nation, Thailand, May 11, 2003
Cotter, Holland, Defiantly Confronting The Plague, The New York Times, January 21, 2000
Zimmer, William, Thinking Globally Artists on AIDS, The New York Times, December 26, 1999
